{"id":599,"date":"2018-12-05T01:39:26","date_gmt":"2018-12-05T01:39:26","guid":{"rendered":"http:\/\/www.simultan.org\/?p=599"},"modified":"2023-09-19T14:22:34","modified_gmt":"2023-09-19T14:22:34","slug":"schizophonia-5-coquetta","status":"publish","type":"post","link":"https:\/\/www.simultan.org\/ro\/schizophonia-5-coquetta\/","title":{"rendered":"SCHIZOPHONIA #5 \/ Coquetta"},"content":{"rendered":"\n<p>COQUETTA &#8211; performance sonor de Ioana Vreme Moser<br> 13 Dec. 2018 19:00 @ Casa Artelor &#8211; Studio <\/p>\n\n\n\n<p>Coquetta prosper\u0103 \u00eentr-un ritual sardonic de \u00eenfrumuse\u021bare cosmetic\u0103, prin sunetele disonante provenite din interiorul obiectelor cu tax\u0103 roz\u2019.<br>\u00cenf\u0103\u021bi\u0219area mult dorit\u0103 dezv\u0103luie un substrat otr\u0103vitor; plumbul \u0219i arsenicul find compu\u0219ii chimici prefera\u021bi pe de-a lungul vremi, \u00een machiaj.<br>Cosmetizarea are loc pas cu pas, ca o rutin\u0103 zilnic\u0103, ritmic\u0103 de \u00eenfrumuse\u021bare. <br>Piept\u0103narea, hidratarea, curbarea genelor, machierea ochilor, aplicarea pudrei, rujarea \u0219i alte manevre sonore ob\u021binute, sunt cizelate de semnalele tocurilor electronice. Zgomotele aparatelor de \u00eenfrumuse\u021bat se amestec\u0103 ulterior \u00een interiorul cutiilor de peruci de voiaj \u0219i \u00een alte instrumente electronice \u00eembr\u0103cate \u00een catifea, \u00eencropite din gunoi.<\/p>\n\n\n\n<p>Ma\u0219in\u0103ria de \u00eenfrumuse\u021bare const\u0103 \u00een c\u00e2teva instrumente construite \u0219i sudate manual  compuse din obiecte g\u0103site precum cutii de peruc\u0103, substan\u021be \u0219i aplicatoare de machiaj, pantofi stiletto \u0219i alte elemente dandy care au fost convertite \u00een surse electronice de sunet, func\u021bionale, care genereaz\u0103 un ritm sonor.<br>Asamblajul de machiaj con\u021bine, printre altele: pensule inductive, farduri vibra\u021bionale de pleoape, kabuki electretic, perii traductoare, arcuitor de gene cu switch, bure\u021bi sensibili la presiune \u0219i powder puffs. \u00cen timpul aplic\u0103rii pe corp, uneltele de machiaj \u00eenregistreaz\u0103 sunete, alterneaz\u0103, schimb\u0103 rezisten\u021ba \u0219i capteaz\u0103 radia\u021bii electromagnetice afect\u00e2nd oscilatoarele, filtrele \u0219i amplificatoarele care sunt \u00eencastrate \u00een cutiile de machiaj.<br>Obiectele (gizmos) sunt construite \u00een mare parte din circuite analogice \u0219i comunic\u0103 \u00eentre ele prin controlul voltaic. Semnalele ob\u021binute sunt modulate \u0219i controlate stereofonic cu o pereche de pantofi stiletto ro\u0219ii, modifica\u021bi, piezoelectrici, care sunt sensibili la presiune (piciorul st\u00e2ng controleaz\u0103 canalul st\u00e2ng \/ corespunz\u0103tor dreptul). <br><br> &#8211; <a rel=\"noreferrer noopener\" aria-label=\"docu video (se deschide \u00eentr-o fil\u0103 nou\u0103)\" href=\"https:\/\/vimeo.com\/351243080\" target=\"_blank\">docu video<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/www.simultan.org\/wp-content\/uploads\/2020\/01\/ioana-setup.jpg\" alt=\"\" class=\"wp-image-602\"\/><\/figure>\n\n\n\n<p>&#8211;<br>Ioana Vreme Moser este naratoare transmedia \u0219i artist\u0103 sonor\u0103 active \u00een cercetare, poetici electronice \u0219i nota\u021bii ludice. Folose\u0219te material organice, obiecte obi\u0219nuite, gunoi, mecanisme \u0219i componente electronice pentru a pune \u00een lumin\u0103 evenimente cotidiene ce fac parte din spectrul intimit\u0103\u021bii. \u00cen prezent, Ioana Vreme Moser lucreaz\u0103 cu instrumente electro-mecanice, sculpturi sonore, instala\u021bii cinetice, performance audio-vizual, partituri grafice, lecturi \u00een \u0219oapt\u0103, compendii de date \u0219i lucr\u0103ri video.<br><br><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.ioanavrememoser.com%2F%3Ffbclid%3DIwAR21MmalVDwqwTnXM0Q5U--Snu4CixbTy-fuJkPM8g2Iq9vf2Rb1-kCF-sw&amp;h=AT1mbjwFlVQ92oBzwf4Hpd24wHpB0Q2mv7XV9I7Fk69VUDgTGM4X7ePh4LmiWe7g2agRkVCHenXy9QBFfQgBvaJTWkVZKEFAWVD3gdx7bhoNuiO_NYzKJKfbvBD5TU0iAw\">www.ioanavrememoser.com<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<p><em>\u00a7\u0186HI\u01b5\u00d8\u00b6H\u019fN\u00cf\u039b \u2014<\/em><br><em>evenimente dedicate proiectelor sonore experimentale \u0219i abstracte, sub forma de live performance \u0219i audi\u021bie \u2014 organizate cu ritm \u0219i frecven\u021b\u0103 neregulat\u0103.<\/em> <br><br><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"http:\/\/schizophonia.simultan.org\/?fbclid=IwAR0kDOAW-qfpYX2hxAZNDtEln4fZtouV1m3a0y2gpqDNTIkwf90PDNQRn2g\">http:\/\/schizophonia.simultan.org<\/a><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-small-font-size\">Image: 1933, Max Factor takes measures of a woman\u2019s features with a beauty micrometer. General Photographic Agency \/ Getty Images <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ma\u0219in\u0103ria de \u00eenfrumuse\u021bare const\u0103 \u00een c\u00e2teva instrumente construite \u0219i sudate manual  compuse din obiecte g\u0103site precum cutii de peruc\u0103, substan\u021be \u0219i aplicatoare de machiaj, pantofi stiletto \u0219i alte elemente dandy care au fost convertite \u00een surse electronice de sunet, func\u021bionale, care genereaz\u0103 un ritm sonor.<\/p>\n","protected":false},"author":2,"featured_media":2611,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10,15,53],"tags":[18,12],"class_list":["post-599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","category-ro","tag-live-performance","tag-schizophonia"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/comments?post=599"}],"version-history":[{"count":1,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/599\/revisions"}],"predecessor-version":[{"id":2583,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/599\/revisions\/2583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media\/2611"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media?parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/categories?post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/tags?post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}