{"id":3537,"date":"2024-10-11T14:53:59","date_gmt":"2024-10-11T14:53:59","guid":{"rendered":"https:\/\/www.simultan.org\/?p=3537"},"modified":"2024-10-11T15:32:34","modified_gmt":"2024-10-11T15:32:34","slug":"simultan-2024-premiile-pentru-imagine-in-miscare","status":"publish","type":"post","link":"https:\/\/www.simultan.org\/ro\/simultan-2024-premiile-pentru-imagine-in-miscare\/","title":{"rendered":"SIMULTAN 2024 – Premiile pentru imagine \u00een mi\u0219care"},"content":{"rendered":"\n


Cea de-a XIX-a edi\u021bie a Festivalului SIMULTAN a avut loc \u00een perioada 3-6 octombrie 2024, la Timi\u0219oara, continu\u00e2nd explorarea rela\u021biei dintre art\u0103, tehnologie \u0219i societate, prin diferite metode \u0219i practici artistice.<\/p>\n\n\n\n

\u00centr-o lume \u00een care simul\u0103rile \u00eenlocuiesc adesea realitatea, grani\u021ba dintre util \u0219i inutil devine neclar\u0103. Inutilitatea dezv\u0103luie natura construit\u0103 a percep\u021biilor, determin\u00e2ndu-ne s\u0103 reconsider\u0103m ceea ce consider\u0103m real sau valoros.<\/em><\/p>\n\n\n\n

Sub tema central\u0103, Desire for the Useless<\/a><\/strong><\/em>, 40 de lucr\u0103ri video \u0219i imagini \u00een mi\u0219care, ale arti\u0219tilor din \u00eentreaga lume au comentat, prin nara\u021biuni vizuale, m\u0103surarea existen\u021bei \u00een era digital\u0103. Realit\u0103\u021bi fracturate, sunetul \u0219i limbajul datelor, ecoul ma\u0219inilor \u00een viitor, impactul infrastructurii tehnologice globale asupra vie\u021bii, printre altele, sunt subiectele acestor lucr\u0103ri.<\/p>\n\n\n\n

Comisia de selec\u021bie, format\u0103 din Florin F\u0103ra, Marina Oprea, Luiza Alecsandru, Huba Antal \u0219i Sergiu Sas, a selectat pentru programul de proiec\u021bie a festivalului 40 de lucr\u0103ri video \u0219i imagini \u00een mi\u0219care dintr-un total de 415 lucr\u0103ri primite prin apelul deschis<\/a>.<\/p>\n\n\n\n

Cele 3 lucr\u0103ri, care prin nara\u021biune conceptual\u0103 \u0219i reprezentare vizual\u0103 s-au impus \u00een definirea sensului inutilit\u0103\u021bii \u00een aceste contexte globale care avanseaz\u0103 rapid, sunt urm\u0103toarele:

<\/p>\n\n\n\n

\n
\"\"<\/a>
NATURA 2040<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Winterteller<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
A Hard Currency of Memories<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

NATURA 2040<\/strong><\/em> (11:05), 2024, de Hantao Li, Shuting Cui (China)<\/p>\n\n\n\n

Inspirat\u0103 de teoria lui Edward Wilson, Half-Earth, care pledeaz\u0103 pentru ca jum\u0103tate din planet\u0103 s\u0103 fie folosit\u0103 ca rezerva\u021bii naturale pentru a combate degradarea ecologic\u0103 \u0219i dispari\u021bia speciilor. Teoria imagineaz\u0103 o organiza\u021bie, Natura 2040, care comprim\u0103 terenurile agricole \u00een doi pere\u021bi de 100 de metri \u00een Flevopolder, Olanda, separ\u00e2nd ora\u0219ul de natur\u0103. Acest lucru permite jum\u0103tate din polder s\u0103 se redevin\u0103 s\u0103lbatic, alini\u00e2ndu-se cu Rezerva\u021bia Natural\u0103 Oostvaardersplassen. Proiectul exploreaz\u0103 \u00eembinarea structurilor create de om cu ecosistemele naturale, pun\u00e2nd la \u00eendoial\u0103 esen\u021ba naturii pe terenul artificial \u0219i impactul unor astfel de experimente ecologice.<\/em><\/p>\n\n\n\n

Winterteller<\/em><\/strong> (12:15), 2024, de Paulius Sliaupa (Lituania)<\/p>\n\n\n\n

Pe m\u0103sur\u0103 ce z\u0103pada acoper\u0103 lumea, un nou spa\u021biu hiperreal apare, estomp\u00e2nd liniile dintre t\u0103r\u00e2murile fizice \u0219i digitale ale Lituaniei \u0219i Islandei. Simul\u0103rile \u00eenghe\u021bate \u00een timp converg cu viitorul incert, explor\u00e2nd texturile perforate ale mediilor scanate \u0219i ale experien\u021belor tr\u0103ite. Aceast\u0103 contemplare a existen\u021bei transcende grani\u021bele pe m\u0103sur\u0103 ce ideile, emo\u021biile \u0219i experien\u021bele intersecteaz\u0103 spa\u021bii virtuale \u0219i realit\u0103\u021bi tangibile, model\u00e2nd \u00een\u021belegerea noastr\u0103 despre via\u021b\u0103.<\/em><\/p>\n\n\n\n

A Hard Currency of Memories<\/em><\/strong> (10:08), 2024, de Albert Sten (Suedia)<\/p>\n\n\n\n

Un film eseu experimental care navigheaz\u0103 rela\u021bia complicat\u0103 dintre memorie \u0219i date. Prin interviuri individuale care detaliaz\u0103 experien\u021bele de pierdere a datelor, \u00eempreun\u0103 cu vizite pe teren \u0219i interviuri la un laborator de recuperare a datelor, filmul \u00ee\u0219i propune s\u0103 examineze infrastructura care st\u0103 la baza acestui fenomen modern. \u00cembog\u0103\u021bit cu material de arhiv\u0103, ofer\u0103 o investiga\u021bie profund\u0103 \u00een complexitatea conserv\u0103rii memoriei \u00een era digital\u0103.<\/em>
<\/p>\n\n\n\n



Mai multe detalii \u0219i lista complet\u0103 a arti\u0219tilor participan\u021bi la programul de video<\/a>.




<\/p>\n","protected":false},"excerpt":{"rendered":"

Sub tema central\u0103, Desire for the Useless, 40 de lucr\u0103ri video \u0219i imagini \u00een mi\u0219care, ale arti\u0219tilor din \u00eentreaga lume au comentat, prin nara\u021biuni vizuale, m\u0103surarea existen\u021bei \u00een era digital\u0103.<\/p>\n","protected":false},"author":2,"featured_media":3534,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10,15],"tags":[68],"class_list":["post-3537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","tag-festival-ro"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/3537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/comments?post=3537"}],"version-history":[{"count":9,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/3537\/revisions"}],"predecessor-version":[{"id":3552,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/3537\/revisions\/3552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media\/3534"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media?parent=3537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/categories?post=3537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/tags?post=3537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}