{"id":3380,"date":"2024-09-01T22:00:28","date_gmt":"2024-09-01T22:00:28","guid":{"rendered":"https:\/\/www.simultan.org\/?p=3380"},"modified":"2025-06-13T01:09:32","modified_gmt":"2025-06-13T01:09:32","slug":"porocity-orasul-ca-un-corp-fara-organe","status":"publish","type":"post","link":"https:\/\/www.simultan.org\/ro\/porocity-orasul-ca-un-corp-fara-organe\/","title":{"rendered":"POROCITY: Ora\u0219ul ca un corp f\u0103r\u0103 organe"},"content":{"rendered":"\n<p><strong>Atelier coordonat de Arcadie Botnaru \u0219i M\u0103d\u0103lina Ciocanu<\/strong><br>18-22 septembrie, Timi\u0219oara<br><br><\/p>\n\n\n\n<p><br><em><strong>Modul \u00een care ne g\u00e2ndim la ora\u0219e determin\u0103 modul \u00een care ora\u0219ele func\u021bioneaz\u0103&nbsp;<\/strong><\/em><\/p>\n\n\n\n<p>\u00cen mod tradi\u021bional, ora\u0219ele au fost percepute ca superstructuri lipsite de via\u021b\u0103, containere de beton bine organizate \u00een care fenomenele sociale \u00ee\u0219i g\u0103sesc distribu\u021bia &#8211; un fundal pentru activitatea uman\u0103.<\/p>\n\n\n\n<p><strong>Ce pove\u0219ti, ce legende urbane am putea spune dac\u0103 ne-am g\u00e2ndi la ora\u0219 ca la un corp, viu \u0219i care respir\u0103, un corp care g\u00e2nde\u0219te \u0219i simte, la fel ca \u0219i corpul uman?<\/strong><\/p>\n\n\n\n<p>Scopul acestui atelier este de a excava ora\u0219ul din ruinele sale antropocentrice, de a re-povesti ora\u0219ul ca o ecologie animat\u0103, ca un ansamblu de fiin\u021be animate \u00een interac\u021biune unele cu altele, \u00een care fiecare fiin\u021b\u0103 \u201econtribuie la starea constant\u0103 de devenire a ora\u0219ului, model\u00e2nd \u0219i remodel\u00e2nd organismul viu \u0219i respirator care este peisajul urban\u201d (Bennet, 2009).&nbsp;<\/p>\n\n\n\n<p>\u00cen \u00eencercarea de a dezv\u0103lui mecanismele acestui \u201eincon\u0219tient urban\u201d \u0219i impactul s\u0103u asupra subiectivit\u0103\u021bii urbane, \u00een cadrul acestui atelier, am dori s\u0103 efectu\u0103m un fel de \u201eanaliz\u0103 psihotopic\u0103\u201d sonor\u0103 (Thrift, 2008) a peisajului urban al Timi\u0219oarei, acord\u00e2ndu-ne la \u201ezumzetul ora\u0219ului\u201d (Thrift, 2005), ascult\u00e2nd cu aten\u021bie ceea ce ora\u0219ul are de spus. Folosind \u201eschizocartografia\u201d lui Richardson (2015) \u0219i \u201eascultarea profund\u0103\u201d a lui Oliveros (2005) ca piloni (non)metodologici, atelierul va \u00eencerca s\u0103 deseneze o hart\u0103 sonor\u0103 speculativ\u0103 a Timi\u0219oarei, dezv\u0103luind \u201eincon\u0219tientul\u201d ora\u0219ului traversat de miriade de \u201elinii de zbor\u201d (Deleuze &amp; Guattari, 1987) c\u0103tre spa\u021bii alternative trecute, prezente \u0219i viitoare \u00een care ora\u0219ul \u201edevine altfel\u201d \u00een mod constant.&nbsp;<\/p>\n\n\n\n<p>Rezultatele atelierului vor fi \u00eentrupate \u00eentr-o instala\u021bie colectiv\u0103 de art\u0103 sonor\u0103 intitulat\u0103 \u201eColoana Sonor\u0103 Infinit\u0103\u201d, menit\u0103 s\u0103 reflecte ideea c\u0103 ora\u0219ul este un corp viu, un ansamblu \u00een continu\u0103 mi\u0219care, o simfonie zgomotoas\u0103 de voci umane \u0219i non-umane.&nbsp;<br>Instala\u021bia rezultat\u0103 va fi prezentat\u0103 \u00een cadrul SIMULTAN Festival XIX \u00een perioada 3-6 octombrie.<\/p>\n\n\n\n<p><br><strong>METODE<\/strong><br>Ca parte a atelierului de 5 zile Porocity: City as a Body without Organs, participan\u021bii se vor implica \u00een activit\u0103\u021bi de \u00eenv\u0103\u021bare experien\u021bial\u0103, combin\u00e2nd diverse metodologii de cercetare prin plimb\u0103ri \u0219i practici de crea\u021bie sonor\u0103. Timpul atelierului va fi \u00eemp\u0103r\u021bit \u00eentre sesiuni de conceptualizare, \u00een care participan\u021bii vor (re)interac\u021biona cu ora\u0219ul prin perspective extrase din noua g\u00e2ndire materialist\u0103 \u0219i post-umanist\u0103 \u0219i sesiuni de de\/construc\u021bie, \u00een care grupul va experimenta cu obiectele \u0219i designul de sunet.<\/p>\n\n\n\n<p>\u21b3&nbsp;C\u0103utarea de obiecte \u0219i materiale: <br>Vom g\u0103si obiecte din ora\u0219, pie\u021be de vechituri \u0219i din propriile case care arat\u0103 via\u021ba \u00een mi\u0219care a ora\u0219ului. Aceste obiecte pot include articole de zi cu zi, materiale aruncate sau artefacte cu semnifica\u021bie istoric\u0103 sau cultural\u0103, simboliz\u00e2nd interconectarea elementelor umane \u0219i non-umane \u00een ecologia ora\u0219ului.<br><br>\u21b3&nbsp;Ascultare profund\u0103: <br>Inspira\u021bi de practica de ascultare profund\u0103 a lui Pauline Oliveros, ne vom angaja \u00een exerci\u021bii de ascultare profund\u0103 pentru a ne acorda cu peisajul sonor urban. Vom asculta cu aten\u021bie, reconsider\u00e2nd existen\u021ba unor sunete care trec adesea neobservate, recunosc\u00e2nd modul \u00een care aceste elemente auditive contribuie la identitatea ora\u0219ului.<br><br>\u21b3&nbsp;Valorificarea \u0219i editarea sunetului: <br>Vom colecta \u0219i valorifica sunete de arhiv\u0103, peisaje sonore ambientale ale ora\u0219ului, muzic\u0103 \u0219i conversa\u021bii \u00eenregistrate, cu scopul de a explora \u201eincon\u0219tientul\u201d Timi\u0219oarei \u0219i diversele unde sonore \u2013 at\u00e2t umane c\u00e2t \u0219i non-umane \u2013 care \u00eei modeleaz\u0103 mediul sonor. Aceste sunete vor fi aranjate experien\u021bial \u00eentr-un colaj de sunet folosind software-ul de design de sunet Ableton (cuno\u0219tin\u021bele constituie un avantaj).<\/p>\n\n\n\n<p>\u21b3&nbsp;Reflec\u021bii de grup asupra proceselor Timi\u0219oarei ca organism viu: <br>Ne vom angrena \u00een sesiuni de reflec\u021bie care vor cerceta ce\/cine face ora\u0219ul \u0219i cum modeleaz\u0103 asta rela\u021bia noastr\u0103 cu el.<br><br>\u21b3&nbsp;Plimb\u0103ri psihogeografice: <br>Vom deambula prin ora\u0219, de-familiariz\u00e2ndu-ne cu el, \u00eencerc\u00e2nd s\u0103 ne pierdem \u00een el, sper\u00e2nd s\u0103 ajungem \u00een \u021binuturile sale incon\u0219tiente.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PERIOAD\u0102 \u0218I ORAR<\/strong><br>\u21b3&nbsp;atelierul are loc \u00een perioada 18-22 septembrie <br>\u21b3&nbsp;intervalul orar: Miercuri &#8211; Vineri: 15.00-19.00 \/ S\u00e2mb\u0103t\u0103 &#8211; Duminic\u0103: 11.00-16.00 <br>\u21b3&nbsp;limba de desf\u0103\u0219urare: roman\u0103 \u0219i\/sau englez\u0103<br>\u21b3 locuri disponibile: 8 persoane<\/p>\n\n\n\n<p>\u00censcrierile sunt deschise p\u00e2n\u0103 la data de 13 septembrie iar participarea este liber\u0103 pentru orice persoan\u0103 interesat\u0103.<br><br><a href=\"https:\/\/forms.gle\/86jbYVsF5s4ggg5J7\" target=\"_blank\" rel=\"noreferrer noopener\">FORMULAR DE \u00ceNSCRIERE<\/a> <br><br><br>[\u00eentreb\u0103ri simultan@simultan.org]<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"820\" height=\"500\" data-id=\"3370\" src=\"https:\/\/www.simultan.org\/wp-content\/uploads\/2024\/09\/botnaru-mocanu.jpg\" alt=\"\" class=\"wp-image-3370\" srcset=\"https:\/\/www.simultan.org\/wp-content\/uploads\/2024\/09\/botnaru-mocanu.jpg 820w, https:\/\/www.simultan.org\/wp-content\/uploads\/2024\/09\/botnaru-mocanu-300x183.jpg 300w, https:\/\/www.simultan.org\/wp-content\/uploads\/2024\/09\/botnaru-mocanu-768x468.jpg 768w, https:\/\/www.simultan.org\/wp-content\/uploads\/2024\/09\/botnaru-mocanu-338x206.jpg 338w\" sizes=\"auto, (max-width: 820px) 100vw, 820px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>AUTORI \/ FACILITATORI<\/strong><\/p>\n\n\n\n<p><strong>Arcadie Botnaru<\/strong> este artist \u00een devenire, educator \u0219i cercet\u0103tor independent n\u0103scut \u00eentr-un mic ora\u0219 industrial din nordul Moldovei. Are o licen\u021b\u0103 \u00een psihologie \u0219i un masterat \u00een \u00eenv\u0103\u021bare experien\u021bial\u0103. Arcadie concepe \u0219i faciliteaz\u0103 programe educa\u021bionale non-formale \u00een care \u00eemplete\u0219te metodologii de \u00eenv\u0103\u021bare experien\u021biale \u0219i artistice cu perspective teoretice din post-filosofii, scrieri feministe \u0219i cosmologii indigene, \u00een \u00eencercarea de a crea o practic\u0103 pedagogic\u0103 postuman\u0103 pentru o planet\u0103 care urmeaz\u0103. Accentul s\u0103u etic este pus pe justi\u021bia social\u0103 \u0219i echitatea ecologic\u0103.<\/p>\n\n\n\n<p><strong>M\u0103d\u0103lina Ciocanu<\/strong> lucreaz\u0103 cu sunetul, educa\u021bia, etnografia, cercetarea, \u0219i \u0219i \u0219i&#8230; Ea re\/cerceteaz\u0103 transdisciplinaritatea la Universitatea Columbia \u0219i produce \u0219i mixeaz\u0103 muzic\u0103 sub numele de scen\u0103 secret <a href=\"https:\/\/www.instagram.com\/dj.bors\/\">BOR\u0218<\/a>. Se joac\u0103 cu sunetul, investigheaz\u0103 colectivitatea \u0219i materialismul \u201eproducerii\u201d-compunerii-cre\u0103rii (\u0219i a g\u0103zduit atelierul \u201eCiule\u0219te Urechile\u201d bazat pe ascultarea profund\u0103). M\u0103d\u0103lina s-a n\u0103scut \u00een Chi\u0219in\u0103u \u0219i a petrecut ultimii 15 ani \u00een America, cu o revenire recent\u0103 \u00een aceast\u0103 emisfer\u0103. Accentul ei etic este pus pe pluriversalitatea dialogic\u0103.<br><br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><em>Porocity: City as a Body without Organs<\/em> este finan\u021bat de Uniunea European\u0103 \u00een cadrul proiectului EU4Culture implementat de Goethe-Institut.<br><br><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; modul \u00een care ne g\u00e2ndim la ora\u0219e determin\u0103 modul \u00een care ora\u0219ele func\u021bioneaz\u0103.<br \/>\nAtelier coordonat de Arcadie Botnaru \u0219i M\u0103d\u0103lina Ciocanu<\/p>\n<p>Rezultatele atelierului vor fi \u00eentrupate \u00eentr-o instala\u021bie colectiv\u0103 de art\u0103 sonor\u0103 intitulat\u0103 \u201eColoana Sonor\u0103 Infinit\u0103\u201d, menit\u0103 s\u0103 reflecte ideea c\u0103 ora\u0219ul este un corp viu, un ansamblu \u00een continu\u0103 mi\u0219care, o simfonie zgomotoas\u0103 de voci umane \u0219i non-umane.\u00a0<\/p>\n","protected":false},"author":2,"featured_media":3358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10,15],"tags":[62],"class_list":["post-3380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","tag-workshop"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/3380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/comments?post=3380"}],"version-history":[{"count":19,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/3380\/revisions"}],"predecessor-version":[{"id":4201,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/3380\/revisions\/4201"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media\/3358"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media?parent=3380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/categories?post=3380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/tags?post=3380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}