{"id":2297,"date":"2020-09-22T14:37:00","date_gmt":"2020-09-22T14:37:00","guid":{"rendered":"https:\/\/www.simultan.org\/?p=2297"},"modified":"2023-09-19T14:10:50","modified_gmt":"2023-09-19T14:10:50","slug":"jurnal-de-virus-desene-sonore","status":"publish","type":"post","link":"https:\/\/www.simultan.org\/ro\/jurnal-de-virus-desene-sonore\/","title":{"rendered":"JURNAL DE VIRUS. Desene sonore"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>Ioanea Vreme Moser &amp; Dan Perjovschi<br>Instala\u021bie, 2020<\/strong><\/h3>\n\n\n\n<p>Lucrare comisionat\u0103 pentru <a rel=\"noreferrer noopener\" href=\"https:\/\/simultan.org\/2020\/\" target=\"_blank\">SIMULTAN Festival 2022 &#8211; UNSEEN<\/a><br><em>\u2014<\/em>&nbsp;27 SEPT \u2013 3 OCT \/ 16:00-22:00<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><br><strong><em>JURNAL DE VIRUS, Desene sonore<\/em><\/strong>&nbsp;este o instala\u021bie sonor\u0103 rezultat\u0103 din colaborarea Ioanei Vreme Moser cu Dan Perjovschi, doi arti\u0219ti care lucreaz\u0103 cu medii de expresie diferite: sunetul \u0219i desenul.<br>Instala\u021bia&nbsp;<em>JURNAL DE VIRUS, Desene sonore<\/em>&nbsp;ilustreaz\u0103 prin discurs narativ o serie de optsprezece desene realizate de Dan Perjovschi \u00een timpul carantinei. Artistul a invitat mai multe persoane din domeniul artistic s\u0103 povesteasc\u0103 fiecare, \u00eentr-un mod personal, f\u0103r\u0103 restric\u021bii, con\u021binutul desenelor. Pentru a reda vocile \u00eenregistrate, Ioana Vreme Moser a construit 16 obiecte sonore, difuzoare ce folosesc coli albe de hartie ca membrane de rezonant\u0103. Hartia fiind suportul primar pentru desenele lui Perjovschi.<\/p>\n\n\n\n<p><br><a href=\"https:\/\/simultan.org\/2020\/category\/virus-diary\/\" target=\"_blank\" rel=\"noreferrer noopener\">NARATORI INVITA\u021aI<\/a><strong><br><\/strong>Celenk Bafra, Istanbul<br>Robert Bajenaru, Bucure\u0219ti<br>Luchezar Boyadjiev, Sofia<br>Ivet \u0106urlin, Zagreb<br>Alina Georgiana Teodorescu, Londra<br>Valentina Gervasoni, Bergamo<br>Shihoko Ida, Nagoya<br>Ana Kun, Timi\u0219oara<br>MAGMA, Sf\u00e2ntu Gheorghe<br>Diana Marincu, Timi\u0219oara<br>Monotremu, T\u00e2rgu Mure\u0219<br>Simona N\u0103stac, Londra<br>George Rosu, Cluj Napoca<br>Nathalie Shin \/ Haily Grenet, Paris<br>Courtney Tramposh, New York<br>Raluca Voinea, Bucure\u0219ti<br>Eva Volkmer, Berllin<br>Trevor Yeung, Guangdong<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><br><br><strong>Ioana Vreme Moser<\/strong><br><em>b.1994 Timi\u0219oara, Romania \/ living in T10 \u2013 Berlin<\/em><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/ioanavrememoser.com\/\" target=\"_blank\">Ioana Vreme Moser<\/a>&nbsp;is a transmedia narrator and sound artist engaged with research activities, electronic poetics, and ludic notations.&nbsp;<br>She develops her practice around the inconspicuous gestures of everyday existence, altering and transforming mundane objects that she finds in her intimate environments in an attempt to explore the links with their collected memories.&nbsp;She places electronic components and control voltages in different situations of interaction with organic materials, lost and found items and environmental stimuli.<br>Her works are dominated by sardonic narrations, bits and pieces of garbage, anachronous circuitry and low-tech technologies that resound in diagrams, sound-sculptures, hand-made instruments or sound-performance setups.&nbsp;<br>Active mainly in Eastern Europe, she has been closely engaged with the Electroacoustic Music Studio Krakow, Kinema Ikon experimental group and Simultan, Media Art Association, Timisoara. Currently, she is based in the T10 artist collective, Berlin.<br><br><br><strong>Dan Perjovschi<\/strong><br><em>b. 1961 Sibiu, lives and works in Bucharest and Sibiu<\/em><br>Romanian-born Dan Perjovschi is an artist who mixes drawing, cartoon and graffiti in artistic pieces drawn directly on the walls of European and American museums and contemporary art spaces. These drawings \u2013 both witty and incisive \u2013 comment on current political, social or cultural issues or events. His stark style of line drawing allows him to condense the conflicts and dilemmas of the world into a rapid-response commentary that is both political and honest.<br>Perjovschi\u2019s artistic practice has been influenced by artists of the 1960s and 1970s, newspaper cartoonists, the international art scene, and mainly by the media. In order to reach more people with his satirical thoughts on society, Perjovschi opted for the popular language of political cartoons. Inspiration for his drawings comes from a multitude of sources: conversations, rumours, newspaper articles, gossip, television, and global or local events. The illustrations are simple black marker line drawings, sometimes accompanied with succinct wordplay or punch line captions. With just a few strokes, Perjovschi sums up the current state of affairs with regard to religion, terror, nationalism or consumerism. The results are a hybrid of graffiti and activism with the best qualities of a good newspaper cartoon.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ioanea Vreme Moser &#038; Dan Perjovschi,  o lucrare comisionat\u0103 pentru SIMULTAN Festival 2022 &#8211; UNSEEN<br \/>\n\u2014\u00a027 SEPT \u2013 3 OCT \/ 16:00-22:00<\/p>\n","protected":false},"author":2,"featured_media":2699,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[15,53],"tags":[31,16],"class_list":["post-2297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-ro","tag-expozitie-2","tag-festival"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/2297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/comments?post=2297"}],"version-history":[{"count":1,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/2297\/revisions"}],"predecessor-version":[{"id":2572,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/posts\/2297\/revisions\/2572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media\/2699"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media?parent=2297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/categories?post=2297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/tags?post=2297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}