{"id":4142,"date":"2019-09-21T12:00:34","date_gmt":"2019-09-21T12:00:34","guid":{"rendered":"https:\/\/www.simultan.org\/festival\/simultan-2014\/"},"modified":"2025-06-13T00:37:27","modified_gmt":"2025-06-13T00:37:27","slug":"simultan-2014","status":"publish","type":"festival","link":"https:\/\/www.simultan.org\/ro\/festival\/simultan-2014\/","title":{"rendered":"SIMULTAN 2014"},"content":{"rendered":"\n<p><strong>SIMULTAN FESTIVAL ed. X<br><em><strong>TERMENI \u0218I COND\u021aII<\/strong><\/em><\/strong><\/p>\n\n\n\n<p>8\u201311 Oct 2014 \/ Sinagoga din Cetate, Casa Artelor<br><br><a href=\"https:\/\/simultan10.tumblr.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">PAGINA EDI\u021aIEI<\/a><br><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9.jpg\" alt=\"\" class=\"wp-image-4153\" srcset=\"https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9.jpg 1800w, https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9-300x200.jpg 300w, https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9-1024x683.jpg 1024w, https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9-768x512.jpg 768w, https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9-1536x1024.jpg 1536w, https:\/\/www.simultan.org\/wp-content\/uploads\/2019\/09\/9-338x225.jpg 338w\" sizes=\"auto, (max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n\n\n<p><br>Teoriile \u0219i paradigmele viitorului \u00eencep adesea cu credin\u021ba c\u0103 umanitatea se afl\u0103 \u00een mijlocul unei transform\u0103ri extensive a lumii \u0219i \u00eencearc\u0103 s\u0103 explice transform\u0103rile \u0219i unde ne duc aceste schimb\u0103ri.<\/p>\n\n\n\n<p>Tr\u0103im \u00eentr-o lume multilateral\u0103 &#8211; \u00eentr-o realitate competitiv\u0103 cu multiple puncte de vedere \u0219i mi\u0219c\u0103ri sociale.<br>Starea noastr\u0103 actual\u0103 e plin\u0103 de \u2018termeni \u0219i condi\u021bii\u2019. Mai mult, mi\u0219c\u0103rile sociale ca expresii ale diferitelor paradigme, ciocnesc, de multe ori violent, \u00een acest proces competitiv, sub presiunea crizei economice \u0219i ideologice globale.<br>Tensiunea este for\u021ba motiva\u021bional\u0103 din spatele limbajului, ideilor \u0219i tuturor concep\u021biilor mentale.<\/p>\n\n\n\n<p>\u00cen dezvoltarea teoriei \u2018Arheologia cunoa\u0219terii\u2019, Foucault a \u00eencercat s\u0103 analizeze codurile fundamentale, pe care o cultur\u0103 le folose\u0219te pentru a dezvolta teoria sau configurarea cunoa\u0219terii care determin\u0103 ordinele empirice\/pragmatice \u0219i practicile sociale pentru fiecare er\u0103 \u00een parte. El a adoptat discontinuitatea ca unealt\u0103 de lucru constructiv\u0103.<\/p>\n\n\n\n<p>Unele discursuri sunt regulate \u0219i au continuitate \u00een timp, pe m\u0103sur\u0103 ce cuno\u0219tin\u021bele se acumuleaz\u0103 \u00een mod constant \u0219i societatea stabile\u0219te gradual ce anume consider\u0103 adev\u0103r sau dreptate pentru moment. Dar, \u00een tranzi\u021bia de la o er\u0103 la alta, vor aparea suprapuneri, rupturi \u0219i discontinuit\u0103\u021bi pe m\u0103sur\u0103 ce societatea \u00ee\u0219i reconfigureaz\u0103 discursul care se va potrivi timpului prezent.<\/p>\n\n\n\n<p>E\u0219ecul a devenit un estetism proeminent \u00een multe arii artistice ale sf\u00e2r\u0219itului de secol XX, amintindu-ne c\u0103 este doar o iluzie controlul nostru asupra tehnologiei \u0219i dezv\u0103luind c\u0103 uneltele digitale sunt doar at\u00e2t de perfecte, precise \u0219i eficiente ca omul care le-a creat.<\/p>\n\n\n\n<p>Noi tehnici sunt adesea descoperite din \u00eent\u00e2mplare sau prin e\u0219ecul unei alte tehnici sau unui alt experiment. Scopul nu este doar de a explora poten\u021bialul estetic al unor metode avansate de a crea imagini ci formuleaz\u0103 noi op\u021biuni de percep\u021bie \u0219i statement artistic \u00een aceast\u0103 revolu\u021bie media.<\/p>\n\n\n\n<p><em>E\u0219ecul este cel ce ghideaz\u0103 evolu\u021bia;<br>perfec\u021biunea nu ofer\u0103 nici un stimulent pentru \u00eembun\u0103t\u0103\u021bire.<\/em> \u2014 Colson Whitehead<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>PARTICIPAN\u021aI<\/strong><\/p>\n\n\n\n<p><br><strong>\u2013\u00a0LIVE<\/strong><br>Franck Vigroux \/ Xavier Van Wersch \/ Rodion G.A. \/ Novi_sad + Ryoichi Kurokawa \/ Soare Staniol \/ Incredible Bob + WoO \/ Toktek \/ Lumisokea \/ The Erasers<\/p>\n\n\n\n<p><strong><strong>\u2013<\/strong>\u00a0 VIDEO<\/strong><br>Johannes Grenzfurthner  \/ Daniel Nicolae Djamo \/ Johanna Reich \/ Left Hand Rotation Collective \/ Heidi Kumao \/ Chciuk Aleksandra \/ Antidote \/ Adi Gelbart \/ Felice Hapetzeder \/ Bennett Gregory \/ Miguel Andr\u00e9s \/ Mihai Grecu \/ Bonder Joanna \/ Joaqu\u00edn Baus Auil \/ Vasilis Papageorgiou \/ Isabelle Hayeur \/ Yuval Yairi, Zohar Kawaharada \/ Elena Bellantoni \/ Snow Yunxue Fu \/ Snow Yunxue Fu \/ Mathieu Labaye \/ Bruno Melissa \/ Rick Fisher \/ Noelle Duddridge \/ Mowchun Lasha \/ Mark Tholander \/ Neil Ira Needleman \/ Kai Miedendorp\/ IJ. Biermann \/ Fiene Scharp \/ Kai Miedendorp \/ Marc Neys (aka SWOON) \/ dreamrec &#8211; Silvi Visan \/ Franz Rosati \/ Sheppard Hayley \/ mud\\ otolab \/ xo00\\ otolab \/ My Name Is Scot \/ Vasile Leac \/ Marko Schiefelbein \/ Berdugo Liat \/ AUJIK \/ Bartosz Warwas \/ Conor McGarrigle \/ Jana Kerima Stolzer \/ Benjamin Grosser \/ Abdelaziz Taleb \/ Andreas Karaoulanis \/ Michael Lyons &amp; Palle Dahlstedt \/ Irina Botea \/ Przemek W\u0119grzyn \/ Rosero Pablo \/ Griffin Brooke \/ Yang Wonbin \/ Caspar Below \/ Pawel Janicki \/ Lynn Kim \/ Ghadiri Sedi \/ Katarzyna Parejko \/ Marie Fages \/ Wenhua Shi \/ Tatiana Pancewicz \/ Koldo Almandoz \/ Martin Rosete \/ Toban Nichols \/ Josephine Turalba \/ Jose Luis \/ Paolo Fantini \/ Maxime Billion &amp; Dave Lojek \/ Felix Fernandez Fernandez \/ Kaya Oguzhan \/ Mario Gajo de Carvalho \/ Alana Bartol<\/p>\n\n\n\n<p><strong>\u2013 PROIEC\u021aIE SPACIAL\u0102<\/strong><br>OODAAQ FESTIVAL<br><br><strong>&#8211; WORKSHOP<\/strong><br><em>Kids Cobra<\/em> workshop de Staalplaat Soundsystem<br><br><\/p>\n\n\n\nngg_shortcode_0_placeholder\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Fotografii de Velisar Manea, Levente Kozma<br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><br>Proiect cultural finan\u0163at de Administra\u0163ia Fondului Cultural Na\u0163ional<br>Realizat cu sprijinul Prim\u0103ria \u015fi Consiliulul Local Timi\u015foara<\/p>\n\n\n\n<p>Parteneri: Societatea Filarmonica din Timi\u0219oara, Djct &#8211; Casa Artelor, Institute Fran\u00e7ais Timisoara, Asocia\u0163ia \u2018Am o idee mai artfel\u2019<br>Parteneri media: Anti-Utopias, Veioza Arte, Modernism, Feeder, Vice, Hipmag, Neap\u0103rat, Port.ro, TVR Timisoara, Radio Timisoara<br><br><br><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SIMULTAN FESTIVAL X.<br \/>\n<i>TERMENI \u0218I CONDI\u021aII<\/i><\/p>\n<p>8 \u2014 11 Oct. 2014 \/ Timisoara RO<\/p>\n<p><\/p>\n","protected":false},"featured_media":2985,"menu_order":9,"template":"","meta":{"ngg_post_thumbnail":0},"class_list":["post-4142","festival","type-festival","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/festival\/4142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/festival"}],"about":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/types\/festival"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media\/2985"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media?parent=4142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}