{"id":2161,"date":"2022-11-23T04:28:07","date_gmt":"2022-11-23T04:28:07","guid":{"rendered":"https:\/\/www.simultan.org\/?post_type=festival&#038;p=2161"},"modified":"2026-02-03T08:11:50","modified_gmt":"2026-02-03T08:11:50","slug":"simultan-2022","status":"publish","type":"festival","link":"https:\/\/www.simultan.org\/ro\/festival\/simultan-2022\/","title":{"rendered":"SIMULTAN 2022"},"content":{"rendered":"\n<p><strong>SIMULTAN FESTIVAL ed. XVII<br><em><em>THE CHANGING AND THE INDETERMINATE<\/em><\/em><\/strong><br><br>10 \u2014 18 Sept 2022 \/ MX. + Comenduirea Garnizoanei, Timi\u0219oara<br><br>PAGINA EDI\u021aIEI<br><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24-1024x684.jpg\" alt=\"\" class=\"wp-image-3665\" srcset=\"https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24-1024x684.jpg 1024w, https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24-300x200.jpg 300w, https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24-768x513.jpg 768w, https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24-1536x1026.jpg 1536w, https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24-338x226.jpg 338w, https:\/\/www.simultan.org\/wp-content\/uploads\/2022\/11\/simultan_17sept-24.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><em>The Changing and The Indeterminate<\/em> \u00ee\u0219i propunea s\u0103 canalizeze idei \u0219i s\u0103 genereze perspective noi \u00een contextul (post)pandemiei globale \u0219i al urm\u0103rilor sale, precum \u0219i al reverbera\u021biilor cauzate de r\u0103zboiul din Ucraina.<\/p>\n\n\n\n<p><em>The Changing and The Indeterminate<\/em>, este un fragment dintr-un studiu al lui Ted Nelson referitor la structurarea \u0219i procesarea informa\u021biei, \u00een care men\u021bioneaz\u0103 prima oar\u0103 termenul de hypertext \u0219i hypermedia, ideea unui sistem complex de elemente interconectate. Aceast\u0103 idee s-a n\u0103scut acum mai bine de 50 de ani, azi deja exista sisteme complexe interconectate care ne ofer\u0103 acces la informa\u021bie prin intermediul internetului, dar a creat \u0219i alte conexiuni str\u00e2nse \u0219i cu lumea fizic\u0103, pe diferite planuri, economic, social sau \u0219tiin\u021bific.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Economia mondial\u0103 este un sistem complex compus dintr-o multitudine de re\u021bele interconectate, dar distincte \u2014 re\u021bele de oameni, bunuri, bani sau chiar bits. Aceste re\u021bele se afl\u0103 \u00een mi\u0219care permanent\u0103, oamenii migreaz\u0103, m\u0103rfurile se mi\u0219c\u0103, banii se transfer\u0103 \u0219i datele se mut\u0103 \u2013 cum s-a \u00eent\u00e2mplat&nbsp; \u00eentotdeauna. Sub capitalism aceast\u0103 mi\u0219care ia o nou\u0103 form\u0103. Mi\u0219carea devine condi\u021bia prealabil\u0103 pentru cre\u0219tere, care este la r\u00e2ndul ei condi\u021bia prealabil\u0103 pentru stabilitatea rela\u021biilor sociale capitaliste. \u00cen esen\u021b\u0103, sistemul nu poate supravie\u021bui f\u0103r\u0103 mi\u0219care. \u00cens\u0103 ce se \u00eent\u00e2mpl\u0103 c\u00e2nd acest sistem se blocheaz\u0103 \u0219i apar rupturi majore, iremediabile?&nbsp;<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>PARTICIPAN\u021aI<\/strong><\/p>\n\n\n\n<p><br><strong>\u2013&nbsp;LIVE \/ DJs*<\/strong><br>C\u0103t\u0103lin Cre\u021bu \/ Anne Wellmer \/ angstwurm 2.0 (micleusanu m.) \/ crys cole \/ Mario de Vega \/ Eryck Abecassis \/ Iancu Dumitrescu + Milan Milojkovic + B\u00e1lint Bolcso + Cyrill Lim \/ o_b_i_e_c_t feat. Gabriel Alma\u0219i \/ Billy Roisz \/ Ale Hop \/ Kamon Kardamom \/ Annabelle Playe + Alexandra R\u0103dulescu \/ Zavoloka \/ MNNN (Mario de Vega)* \/ Mini Zucchini* \/ Ecei \u00d6zel* \/ Alberta Balsam*<br><br><strong><strong>\u2013<\/strong>&nbsp; VIDEO<\/strong><br>Alejandra Van der Land, Matias Kritz \/ Alexandru-Claudiu Maxim + Irinel Anghel \/April Lin \u6797\u68ee \/ Arnaud Laffond + Seyller Guillaume \/ Bob Bicknell-Knight \/ Bruno Pavi\u0107 \/ Catalin Burcea \/ Charline Dally, Gabrielle HB \/ Cream Projects \/ Darko Aleksovski \/ Dirk Sorge \/ Eliodor Moldovan \/ Frances Adair Mckenzie + Alisha Piercy \/ Francesca Fini \/ Fraun Kuesti \/ Freya Bj\u00f6rg Olafson \/ Greg Marshall \/ G\u00fcnter Puller \/ Hantao Li \/ Hiroya Sakurai \/ Just Wondering \/ Lilia Li-Mi-Yan + Katherina Sadovsky \/ Lo Yun Ting \/ Marina Oprea \/ Megan Dieudonn\u00e9 \/ Miguel Rozas Balboa \/ Nicoleta Mure\u0219 \/ No\u00e9 Grenier \/ Oleksandr Isaienko \/ Pablo-Mart\u00edn C\u00f3rdoba \/ Paladed Dimitris \/ Peter Whittenberger \/ S4RA \/ Sebasti\u00e1n Zanzottera \/ Serge Bulat \/ Silvia De Gennaro \/ Taietzel Ticalos \/ Valentina Ferrandes \/ Vlad Fenesan + Anastasia Dumitrescu \/ Yinglin Zhou \/ Yinglin Zhou.<\/p>\n\n\n\n<p><strong><strong>\u2013<\/strong>&nbsp; INSTALA\u021aII<\/strong><br><em>The somatist, the entropist and the skeptic<\/em>, participan\u021bi Floriama Candea, Sabina Suru &amp; Andrei Tudose, C\u0103t\u0103lin Cre\u021bu.<br><br><strong><strong>\u2013<\/strong>&nbsp; PREZENT\u0102RI<\/strong><br><em>Sonic Portraits<\/em> de Anne Wellmer \/ <br><em>On Illegibility<\/em> de Yun Lee (lecture-performance) \/ <br><em>Exerci\u021bii pentru o nou\u0103 specie uman\u0103 <\/em>de Arne Hendriks <br>Post Muzica de Micleu\u015fanu M. <br>Prezent\u0103ri de arti\u0219ti Floriama Candea, Sabina Suru, C\u0103t\u0103lin Cre\u021bu<br><br><strong>\u2013&nbsp; CONEX<\/strong><br>Expozi\u021bia <em>Where ART thou?<\/em>, participan\u021bi Dorian Bolca, Claudia Chiri\u021b\u0103, Denis Flueraru, \u0218tefan Sava, Andrei Tudose \/<br>Proiec\u021bii Post Muzica, participan\u021bi Constantin Basica, Ioana Vreme-Moser, Silent Strike (Ioan Titu), Lala Misosniky, Cosmin Nicolae \u0219i C\u0103lin Torsan<br><br>Master of ceremony &#8211; Megatron<\/p>\n\n\n\nngg_shortcode_0_placeholder\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Foto: Jonathan Crabb, Petru Cojocaru, Remys Daescu, Daliana Iacobescu, Andreea S\u0103s\u0103ran<br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Eveniment realizat cu sprijinul Prim\u0103riei Municipiului \u0219i al Consiliului Local Timi\u0219oara prin Centrul de Proiecte, co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional \u2013 AFCN.<br>Parteneri: Direc\u021bia Jude\u021bean\u0103 Pentru Cultur\u0103 Timi\u0219, Funda\u021bia9, Asocia\u021bia Qolony<br><br><br><br><br><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SIMULTAN FESTIVAL XVII.<br \/>\n<i>THE CHANGING AND THE INDETERMINATE<\/i><\/p>\n<p>10 \u2013 18 Sept 2022 \/ Timi\u0219oara RO<\/p>\n<p><\/p>\n","protected":false},"featured_media":2743,"menu_order":2,"template":"","meta":{"ngg_post_thumbnail":0},"class_list":["post-2161","festival","type-festival","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/festival\/2161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/festival"}],"about":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/types\/festival"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media\/2743"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/ro\/wp-json\/wp\/v2\/media?parent=2161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}