{"id":4355,"date":"2025-09-12T10:18:04","date_gmt":"2025-09-12T10:18:04","guid":{"rendered":"https:\/\/www.simultan.org\/?p=4355"},"modified":"2026-01-17T21:57:24","modified_gmt":"2026-01-17T21:57:24","slug":"simultan-2025-video-and-moving-image-works","status":"publish","type":"post","link":"https:\/\/www.simultan.org\/en\/simultan-2025-video-and-moving-image-works\/","title":{"rendered":"SIMULTAN 2025 : Video and moving image works"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Get familiar with the 2025 screening program of SIMULTAN Festival, presenting a curated selection of 36 experimental films and moving image works, submitted by artists from around the world, orbiting around this year\u2019s theme Re:MEDIATE.<br>The selection was made by the festival jury: Luiza Alecsandru, Florin F\u00e2ra, \u00c9va Kozma, Marina Oprea, Sergiu Sas, Andreea S\u0103s\u0103ran.<br><br><a href=\"https:\/\/fb.me\/e\/jeWHGyr4a\" target=\"_blank\" rel=\"noreferrer noopener\">The 20th edition of the SIMULTAN Festival<\/a> will take place between 1\u20136 October 2025 (with an extended exhibition program open until 12 October), across multiple venues in Timi\u0219oara.<br><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ana Da Cunha Alves (Portugal), <em>The View from All Places<\/em>, 04:54, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Andrea Mikyska (Czech Republic), <em>Second Body<\/em>, 01:10, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">APOTROPIA (Antonella Mignone, Cristiano Panepuccia) (Italy), <em>A Deepward Rise<\/em>, 12:34, 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Christelle Mas; Olli Uikkanen (Finland), <em>Oceanaia<\/em>, 04:04, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Diana Gheorghiu (Romania \/ Netherlands), <em>Whatever Remains Unchanged is Already Dead<\/em>, 09:08, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Elyse Johnson; Michael Metz (U.S.A.), <em>SR-22<\/em>, 11:16, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ffaux (Belgium); synthcoder (Germany), <em>Mycelia<\/em>, 05:00, 2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Rosati (Italy), <em>Datalake: Contingency<\/em>, 07:40, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Geo Barcan (Romania \/ Netherlands), <em>Surge of Transference<\/em><strong>, <\/strong>14:57, 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">George Drivas (Greece), <em>KAIZO<\/em>, 10:00, 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hui Kuang; Tao Han; Junshu Fang (China), <em>Planet 1001: AI Reconstructed Terrestrial Archives<\/em>, 03:17, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inferstudio (Bethany Edgoose, Nathan Su, Sarah Su) (Australia), <em>Entangled Atlas<\/em>, 06:52, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jieyuan Huang (China), <em>The Garden of Earthly Delights &#8211; Bird, Human and Geology<\/em>, 02:30, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jo\u00e3o Pedro Oliveira (Portugal), <em>Gardens of Light and Shadow<\/em>, 08:00, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Karolina Cykowska-Halczuk; Przemys\u0142aw Zi\u00f3\u0142kowski (Poland), <em>Beyond Consciousness<\/em>, 03:23, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Katerina Messini (Greece), <em>D1sRupti0N<\/em>, 07:01, 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Katina Bitsicas; Scott McMahon (U.S.A.), <em>Cellulose Documents: Forget Me Not<\/em>, 04:52, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kira Xonorika (U.S.A.), <em>Deep Time Dance<\/em>, 08:17, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Leda Vaneva (Bulgaria \/ Finland); Edo Garcia, Sari Sandberg (Finland), <em>Float<\/em>, 02:39, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Maciek Stepniewski (Poland), <em>I Dream of Cities Often<\/em>, 13:43, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Matteo Camerini; Andrea Lupo; Christian D&#8217;Amico; David Quintarelli (Italy), <em>Concrete Casings<\/em>, 10:00, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Michel Kl\u00f6fkorn (Germany), <em>I Paddle My Canoe 3 Meter Below Civilization<\/em>, 09:05, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Milan Antic (Serbia), <em>Vestige<\/em>, 09:57, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nicolas Lebrun (France), <em>Entangled Realities<\/em>, 01:45, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Olga Ward\u0119ga (Poland); Christoph Zeckel (Germany), <em>Rumour of the Murmur<\/em>, 10:00, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Po Yuan Juan (Taiwan), <em>It was just a Virtual Kiss<\/em>, 07:09, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S. Ali Hosseini (Iran), <em>Delirium<\/em>, 06:14, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sandrine Deumier (France), <em>Memories for an Unstable Future<\/em>, 04:40, 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Senem Pirler (Turkey); Monica Duncan (U.S.A.), <em>Tears for Lost Frequencies<\/em>, 04:49, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sohyun Lee (Republic of Korea), <em>To You with Excuses<\/em>, 05:55, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stefan Nacke; Vladimir Genin (Germany), <em>DvsG<\/em>, 13:33, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sub Net (anonymous), <em>Reporting from the Ghost Cities of the Metaverse: Decentraland<\/em>, 05:22, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Valentin Sismann (France), <em>Self-Portrait<\/em>, 04:54, 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vibeke Bertelsen (Vertigo) (Denmark), <em>Soma<\/em>, 05:45, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vincenzo Ascione (Italy), <em>Fragments_01<\/em>, 04:35, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zirui Chen (Germany), <em>Format Error Occurred at Offset<\/em>, 11:44, 2024<br><br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Image: Datalake: Contingency 2024 by Franz Rosati<br><br><br><br><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Get familiar with the 2025 screening program of SIMULTAN Festival, presenting a curated selection of 36 experimental films and moving image works, submitted by artists from around the world, orbiting around this year\u2019s theme Re:MEDIATE.<\/p>\n","protected":false},"author":2,"featured_media":4356,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[29],"tags":[16,104],"class_list":["post-4355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-festival","tag-video"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts\/4355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/comments?post=4355"}],"version-history":[{"count":6,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts\/4355\/revisions"}],"predecessor-version":[{"id":4368,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts\/4355\/revisions\/4368"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/media\/4356"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/media?parent=4355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/categories?post=4355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/tags?post=4355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}