{"id":2317,"date":"2020-09-22T14:37:00","date_gmt":"2020-09-22T12:37:00","guid":{"rendered":"https:\/\/www.simultan.org\/jurnal-de-virus-desene-sonore\/"},"modified":"2026-01-19T13:30:52","modified_gmt":"2026-01-19T13:30:52","slug":"virus-diary-sound-drawings","status":"publish","type":"post","link":"https:\/\/www.simultan.org\/en\/virus-diary-sound-drawings\/","title":{"rendered":"VIRUS Diary, Sound drawings"},"content":{"rendered":"\n

Installation, 2020
by Ioanea Vreme Moser & Dan Perjovschi<\/strong>
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Curator Levente Kozma
Project commissioned for SIMULTAN Festival 2022 – UNSEEN<\/a>
presented between 27 sep \u2013 3 oct at Garrison Command, Timi\u0219oara

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VIRUS Diary, Sound drawings\u00a0<\/em><\/strong>is a sound installation, the result of the collaboration between Ioana Vreme Moser and Dan Perjovschi, two artists who work with different means of expression: sound and drawing.
The installation\u00a0VIRUS Diary, Sound drawings<\/em>\u00a0illustrates a series of eighteen drawings made by Dan Perjovschi during the quarantine through the means of narrative discourse. The artist invited several well-known figures in the field of arts to narrate the content of his drawings in a personal way, without any particular restrictions.
Ioana Vreme Moser created 16 sound objects to play their recorded voices, for which she used white sheets of paper to recreate the speaker diaphragm \u2013 paper being the primary support for Perjovschi\u2019s drawings.

INVITED NARRATORS
Celenk Bafra<\/a>, Istanbul \/ Robert Bajenaru<\/a>, Bucure\u0219ti \/ Luchezar Boyadjiev<\/a>, Sofia \/ R\u0103zvan Br\u0103ileanu<\/a>,\u00a0<\/strong>Bucure\u0219ti \/ Ivet \u0106urlin<\/a>, Zagreb\/Wien \/ Alina Georgiana Teodorescu<\/a>, London \/ Valentina Gervasoni<\/a>, Bergamo \/ Shihoko Ida<\/a>, Nagoya \/ Ana Kun<\/a>, Timi\u0219oara \/ MAGMA<\/a>, Sf\u00e2ntu Gheorghe \/ Diana Marincu<\/a>, Timi\u0219oara \/ Monotremu<\/a>, T\u00e2rgu Mure\u0219 \/ Simona Nastac<\/a>, London \/ George Rosu<\/a>, Cluj Napoca \/ Nathalie Shin \/ Haily Grenet<\/a>, Paris \/ Courtney Tramposh<\/a>, New York \/ Raluca Voinea<\/a>, Bucure\u0219ti \/ Eva Volkmer<\/a>, Berllin \/ Trevor Yeung<\/a>, Hong Kong


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Ioana Vreme Moser<\/strong>
b.1994 Timi\u0219oara, Romania \/ living in T10 \u2013 Berlin<\/em><\/p>\n\n\n\n

Ioana Vreme Moser<\/a>\u00a0is a transmedia narrator and sound artist engaged with research activities, electronic poetics, and ludic notations.\u00a0
She develops her practice around the inconspicuous gestures of everyday existence, altering and transforming mundane objects that she finds in her intimate environments in an attempt to explore the links with their collected memories.\u00a0She places electronic components and control voltages in different situations of interaction with organic materials, lost and found items and environmental stimuli.
Her works are dominated by sardonic narrations, bits and pieces of garbage, anachronous circuitry and low-tech technologies that resound in diagrams, sound-sculptures, hand-made instruments or sound-performance setups.\u00a0
Active mainly in Eastern Europe, she has been closely engaged with the Electroacoustic Music Studio Krakow, Kinema Ikon experimental group and Simultan, Media Art Association, Timisoara. Currently, she is based in the T10 artist collective, Berlin.


Dan Perjovschi<\/strong>
b. 1961 Sibiu, lives and works in Bucharest and Sibiu<\/em>

Romanian-born Dan Perjovschi is an artist who mixes drawing, cartoon and graffiti in artistic pieces drawn directly on the walls of European and American museums and contemporary art spaces. These drawings \u2013 both witty and incisive \u2013 comment on current political, social or cultural issues or events. His stark style of line drawing allows him to condense the conflicts and dilemmas of the world into a rapid-response commentary that is both political and honest.
Perjovschi\u2019s artistic practice has been influenced by artists of the 1960s and 1970s, newspaper cartoonists, the international art scene, and mainly by the media. In order to reach more people with his satirical thoughts on society, Perjovschi opted for the popular language of political cartoons. Inspiration for his drawings comes from a multitude of sources: conversations, rumours, newspaper articles, gossip, television, and global or local events. The illustrations are simple black marker line drawings, sometimes accompanied with succinct wordplay or punch line captions. With just a few strokes, Perjovschi sums up the current state of affairs with regard to religion, terror, nationalism or consumerism. The results are a hybrid of graffiti and activism with the best qualities of a good newspaper cartoon.<\/p>\n\n\n\n


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Procet Co-funded by AFCN \u2013 Administration of the National Cultural Fund, Timi\u0219oara City Hall and City Council, Timi\u0219 County Council.<\/em><\/p>\n\n\n\n

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Ioanea Vreme Moser & Dan Perjovschi, a commissioned work for SIMULTAN Festival 2022 – UNSEEN
\n\u2014\u00a027 SEPT \u2013 3 OCT \/ 16:00-22:00<\/p>\n","protected":false},"author":2,"featured_media":2700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[32,29],"tags":[52,33],"class_list":["post-2317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en","category-news-en","tag-expozitie-2-en","tag-festival-en"],"_links":{"self":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts\/2317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/comments?post=2317"}],"version-history":[{"count":7,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts\/2317\/revisions"}],"predecessor-version":[{"id":4469,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/posts\/2317\/revisions\/4469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/media\/2700"}],"wp:attachment":[{"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/media?parent=2317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/categories?post=2317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.simultan.org\/en\/wp-json\/wp\/v2\/tags?post=2317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}