{"id":73,"date":"2019-09-21T12:00:34","date_gmt":"2019-09-21T12:00:34","guid":{"rendered":"http:\/\/www.vajnabotond.ro\/test\/sim\/?post_type=festival&p=73"},"modified":"2026-01-27T01:11:42","modified_gmt":"2026-01-27T01:11:42","slug":"simultan-2014","status":"publish","type":"festival","link":"https:\/\/www.simultan.org\/en\/festival\/simultan-2014\/","title":{"rendered":"SIMULTAN 2014"},"content":{"rendered":"\n

SIMULTAN FESTIVAL ed. X
TERMS AND CONDITIONS<\/strong><\/em><\/strong><\/p>\n\n\n\n

8\u201311 Oct 2014 \/ Sinagoga din Cetate, Casa Artelor

EDITIONS WEBPAGE<\/a>

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Theories and paradigms of the future often begin with the belief that humanity is in the midst of an extensive transformation of the world and attempt to explain the transformations and where these changes are taking us.<\/p>\n\n\n\n

We live in a multifaceted world – a competitive reality with multiple points of view and social movements.
Our current state is full of ‘terms and conditions’. Moreover, social movements as expressions of different paradigms collide, often violently, in this competitive process, under the pressure of the global economic and ideological crisis.
Tension is the motivating force behind language, ideas and all mental conceptions.<\/p>\n\n\n\n

In developing the theory Archaeology of Knowledge<\/em>, Foucault attempted to analyse the fundamental codes, which a culture uses to develop the theory or configuration of knowledge that determines the empirical\/pragmatic orders and social practices for each particular era. He adopted discontinuity as a constructive tool.<\/p>\n\n\n\n

Some discourses are regular and have continuity over time, as knowledge steadily accumulates and society gradually establishes what it considers to be truth or right for the moment. But in the transition from one era to another, there will be overlaps, ruptures and discontinuities as society reconfigures its discourse to fit the present time.<\/p>\n\n\n\n

Failure has become a prominent aestheticism in many artistic arenas of the late twentieth century, reminding us that our control of technology is only an illusion and revealing that digital tools are only as perfect, precise and efficient as the man who created them.<\/p>\n\n\n\n

New techniques are often discovered by accident or through the failure of another technique or experiment. The aim is not only to explore the aesthetic potential of advanced methods of image making but to formulate new options of perception and artistic statement in this media revolution.

It is failure that guides evolution; perfection provides no incentive for improvement, and nothing is perfect.<\/em> \u2015\u00a0Colson\u00a0Whitehead<\/p>\n\n\n\n

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PARTICIPAN<\/strong>TS<\/p>\n\n\n\n


\u2013 LIVE<\/strong>
Franck Vigroux \/ Xavier Van Wersch \/ Rodion G.A. \/ Novi_sad + Ryoichi Kurokawa \/ Soare Staniol \/ Incredible Bob + WoO \/ Toktek \/ Lumisokea \/ The Erasers<\/p>\n\n\n\n

\u2013<\/strong>  VIDEO<\/strong>
Johannes Grenzfurthner \/ Daniel Nicolae Djamo \/ Johanna Reich \/ Left Hand Rotation Collective \/ Heidi Kumao \/ Chciuk Aleksandra \/ Antidote \/ Adi Gelbart \/ Felice Hapetzeder \/ Bennett Gregory \/ Miguel Andr\u00e9s \/ Mihai Grecu \/ Bonder Joanna \/ Joaqu\u00edn Baus Auil \/ Vasilis Papageorgiou \/ Isabelle Hayeur \/ Yuval Yairi, Zohar Kawaharada \/ Elena Bellantoni \/ Snow Yunxue Fu \/ Snow Yunxue Fu \/ Mathieu Labaye \/ Bruno Melissa \/ Rick Fisher \/ Noelle Duddridge \/ Mowchun Lasha \/ Mark Tholander \/ Neil Ira Needleman \/ Kai Miedendorp\/ IJ. Biermann \/ Fiene Scharp \/ Kai Miedendorp \/ Marc Neys (aka SWOON) \/ dreamrec – Silvi Visan \/ Franz Rosati \/ Sheppard Hayley \/ mud\\ otolab \/ xo00\\ otolab \/ My Name Is Scot \/ Vasile Leac \/ Marko Schiefelbein \/ Berdugo Liat \/ AUJIK \/ Bartosz Warwas \/ Conor McGarrigle \/ Jana Kerima Stolzer \/ Benjamin Grosser \/ Abdelaziz Taleb \/ Andreas Karaoulanis \/ Michael Lyons & Palle Dahlstedt \/ Irina Botea \/ Przemek W\u0119grzyn \/ Rosero Pablo \/ Griffin Brooke \/ Yang Wonbin \/ Caspar Below \/ Pawel Janicki \/ Lynn Kim \/ Ghadiri Sedi \/ Katarzyna Parejko \/ Marie Fages \/ Wenhua Shi \/ Tatiana Pancewicz \/ Koldo Almandoz \/ Martin Rosete \/ Toban Nichols \/ Josephine Turalba \/ Jose Luis \/ Paolo Fantini \/ Maxime Billion & Dave Lojek \/ Felix Fernandez Fernandez \/ Kaya Oguzhan \/ Mario Gajo de Carvalho \/ Alana Bartol<\/p>\n\n\n\n

\u2013 SPECIAL SCREENING<\/strong>
OODAAQ FESTIVAL

– WORKSHOP<\/strong>
Kids Cobra<\/em> workshop by Staalplaat Soundsystem

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Fotografii de Velisar Manea, Levente Kozma

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Cultural project funded by the Administration of the National Cultural Fund – AFCN,
with the support of the Timi\u0219oara City Hall and Local Council<\/p>\n\n\n\n

Partners: Timisoara Philharmonic Society, DJCT – House of Arts, Institute Fran\u00e7ais Timi\u0219oara, Am o idee mai Artfel Association
Media partners: Anti-Utopias, Veioza Arte, Modernism, Feeder, Vice, Hipmag, Neap\u0103rat, Port.ro, TVR Timi\u0219oara, Radio Timi\u0219oara



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SIMULTAN FESTIVAL X.
\nTERMS & CONDITIONS<\/i><\/p>\n

8 \u2014 11 Oct. 2014 \/ Timisoara RO<\/p>\n

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