{"id":3516,"date":"2024-10-07T14:45:23","date_gmt":"2024-10-07T14:45:23","guid":{"rendered":"https:\/\/www.simultan.org\/?post_type=festival&p=3516"},"modified":"2026-02-14T23:46:11","modified_gmt":"2026-02-14T23:46:11","slug":"simultan-2024","status":"publish","type":"festival","link":"https:\/\/www.simultan.org\/en\/festival\/simultan-2024\/","title":{"rendered":"SIMULTAN 2024"},"content":{"rendered":"\n

SIMULTAN FESTIVAL ed. XIX<\/strong>
DESIRE FOR THE USELESS<\/em><\/strong><\/p>\n\n\n\n

3\u20136 Oct 2024 \/ MX, Timi\u0219oara, Romania

EDITIONS WEBPAGE<\/a><\/p>\n\n\n\n

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The 19th edition of the SIMULTAN Festival was taking place between 3-6 October 2024, in Timi\u0219oara, continuing its exploration of the relationship between art, technology and society, through different artistic methods and practices.
True to its exploratory nature, the festival will once again were hosted at the MX (Corneliu Miklosi Museum and the former tram factory workshops), a venue that has become synonymous with the event in recent years.

The four day program presented video art, installations and live events where some of the themes and methods are: stylistic eclecticism, the relationship between man and automation, recycling or ecological themes, improvisational music in alternative or obsolete technical conditions, digital lyricism, fusion of acoustic and electronic instruments, expanded cinema.<\/p>\n\n\n\n

As the festival continues to deepen its inquiry into the relationship between technology and humanity, Desire for the Useless<\/em><\/strong> serves as a contemplative theme.

In a world where simulations often replace reality, the line between useful and useless becomes blurred. Uselessness reveals the constructed nature of perceptions, prompting us to reconsider what we consider real or valuable.<\/em>

In exploring the term useless we foreground their expectations of technology and how it influences social relations and societal development. One common myth is that technology will eventually come to exist as pure utility, a premise that has given rise to two opposing visions of the future: one in which technology is seen as a liberating force, promising a future of material abundance, and the other, which outlines a vision of bureaucratic nightmare, in which technology becomes an out-of-control mechanism threatening to dehumanize and annihilate the essence of humanity. But between these extremes lies a rarely mentioned possibility: the futility of technology. Georges Bataille argued that technology may be neither good nor bad, but simply useless, functionless element. In this context, pure technology would never be used; it would exist independently of human needs and desires, a monument to futility.<\/em>

Many devices around us are overloaded with features we will never use. These unnecessary features exist only to satisfy the consumer\u2019s desire for more, not to fulfill a real need. This surplus economy exploits the need for excess, turning products into status symbols and social power symbols.<\/em>
In this world of unnecessary technology, consumers no longer buy products to use them, but to possess the excess they represent. In this way, technology becomes an integral part of the economics of desire rather than a tool of practice. In essence, products become icons of secular transcendence, accumulating value through their uselessness and controlling the lives of those who own them.<\/em>
This tendency reflects a deep and perennial desire of humanity to subordinate itself to the useless, to offer sacrifices to a modern idol of useless technology. As society advances, technology continues to become less about functionality and more about symbolic meaning. Thus, technological progress does not necessarily lead us to a utopia or a dystopia, but to a realm of the useless, where the value of technology is measured not by its use, but by its ability to transcend any practical need.<\/em>

The desire for the useless is not about pursuing uselessness. Rather, it\u2019s about finding meaning in the seemingly impractical through creativity, critique, and insight. Think of desire as energy, not a void. When desire is free from the constraints of utility, it becomes a force that drives us towards new ideas and expressions, showing us that the useless has its own productivity.<\/em>

\u2014 Levente Kozma, Artistic director<\/p>\n\n\n\n

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PARTICIPANTS<\/strong><\/p>\n\n\n\n


\u2013 LIVE<\/strong>
33 – Alexander Iezzi + Billy Bultheel + Ivan Cheng \/ Magda Drozd \/ Franck Vigroux + Antoine Schmitt (Atotal) \/ Feldermelder \/ Micleu\u0219anu M. \/ Hanno Leichtmann + Valerio Tricoli \/ Bass Clef Poetry – Tony Elieh + Andrei Cucu \/ Roberto Maqueda (AIR) \/ Alessandra Eramo \/ Maria V Horn \/ Diana Miron w\/ <\/p>\n\n\n\n

\u2013<\/strong>  VIDEO<\/strong>
Noviki \/ Lisa Marie Schmitt \/ Albert Sten \/ Jiawen Uffline\/ Johannes Gierlinger \/ SeoJin Moon \/ Katsuki Nogami \/ Paulius Sliaupa \/ Harvey Goldman + Jing Wang \/ Leon Butler + Lana Tankosa Nikolic & Martina Scarpelli \/ Maciek St\u0119pniewski \/ Marco Joubert \/ Max Hattler \/ Be\u00e1ta Kolba\u0161ovsk\u00e1 \/ Alex Halka\/ Rosario Grieco \/ Andrea Amadei \/ Katrin Hahner \/ m’lk \/ Miguel Angel Escobar Ramos \/ Sandra Crisp \/ Jo Ngo \/ S4RA \/ Taietzel Ticalos \/ Nicoleta Mures \/ Keens Vereeniging \/ Pablo Nieto Mercado \/ \u00darsula San Crist\u00f3bal \/ Ana Esteve Reig \/ Ioana Bilea \/ Lloren\u00e7 Garcia Bas \/ Luis Carlos Rodrigue \/ Sandrine Deumier \/ Gohar Martirosyan \/ Cezar Mocan \/ Hantao Li, Shuting Cui \/ John Butler \/ Rebeca Pascenco \/ Tansy Xiao \/ Milan Antic<\/p>\n\n\n\n

\u2013<\/strong>  INSTALLATIONS<\/strong>
3\u201917\u201d by MARGINAL \/ Reliquaries for the fungible<\/em> by Sabina Suru \/
Echochamber<\/em> by Hanno Leichtmann \/
The ghost in the machine<\/em> by Ingrid Ene, Drago\u0219 Dogioiu, Virgil Bugnariu \/
The Column <\/em>by Arcadie Botnaru & M\u0103d\u0103lina Ciocanu (co-authors Delia Costea, Cristian-Gheorghe Chi\u021boran, Cristian-Emanuel Opri\u0219, Andrei Dr\u0103cea, Andreea \u0218te\u021bco, Luiza Alecsandru, Tudor Mutrescu).<\/p>\n\n\n\n

\u2013<\/strong> TALKS<\/strong>
Artist talk by Phoebe Law, M\u0103d\u0103lina Ciocanu & Arcadie Botnaru \/
3\u201917\u201d About the pitfalls of interdisciplinarity<\/em> by Vlaicu Golcea, Andrei Tudose \u0219i Sabina Suru \/
Post-digital extensions<\/em> – Timi\u0219oara \u201923 x Oulu \u201926<\/em> by Alexandra Costea, Anca \u0218i\u0219u, Andrei Tudose, Sabina Suru \/<\/p>\n\n\n\n

– WORKSHOP<\/strong>
Porocity<\/em> by M\u0103d\u0103lina Ciocanu & Arcadie Botnaru<\/p>\n\n\n\n

\u2013\u00a0CONNEX<\/strong>
Rebecca Salvadori in conversation with Chase Galis on the development of her projects Messengers, <\/em>and screening of the film.

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Photos by Seba T\u0103taru, Andreea S\u0103s\u0103ran

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SIMULTAN 2024 is Funded by the Municipality of Timi\u0219oara through the Center for Projects, co-funded by the Administration of the National Cultural Fund \u2013 AFCN
Event organized in partnership with the Municipality of Timi\u0219oara through the Center for Projects.
With the support of the Swiss Arts Council Pro Helvetia.
Cultural partners: Beta, Marginal, Semi Silent
Media partners: Revista Arta, The Institute



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<\/p>\n","protected":false},"excerpt":{"rendered":"

SIMULTAN FESTIVAL XIX.
\nDESIRE FOR THE USELESS<\/i><\/p>\n

3 \u2013 6 Oct 2024 \/ Timi\u0219oara RO<\/p>\n

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