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WATANABE CHIAKI [USA] – Rgb, 4:16, 2006
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r.g.b . is a series of visual music that explores 3 primary colors from video signals; red, green, blue as representation of sound from electronic music with simple geometric shapes and patterns. With sound triggered moving images, r.g.b . explores “color as sound, sound as color” in minimalist style. r.g.b . was p remiered in Kunsthall Bergen , Norway and at Mapping audiovisual festival in Switzerland . Presented by Stuttgart film and media festival, Microcinema International.
Directed by chiaki watanabe
Visuals by chiaki watanabe
Sound by aonami(JP), nes(no) and DJs from Mapping festival in Geneva
Medium: Live visual
Length: 7 min 30 sec
Year: 2006
Places of production: US, Norway, Switzerland
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WATANABE CHIAKI [USA] – 1/3(one over three), 2:57, 2006
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1/3 is an audiovisual ensemble with lo-fi and minimalist aesthetics. The ensemble experiments with “one-bit” as an art expression based on one-bit technology. The emphasis is on using a single bit of information such as one-bit color, one-bit code and a one-bit note. In the title, “1” stands for one bit, “3” stands for the number of audio and visual inputs (one video from a laptop and two sound sources from custom-made electronics and electronic violin effects). The work takes live audiovisual media to new limits of depth, dimensions and scale with “one-bit” expression. 1/3 explores the essence of simplicity within the complexity with electro-psycho -physical perspectives. 1/3 was premiered in NY June 2006 with support from Experimental TV Center Presentation Fund, the New York State Council on the Arts and media The Foundation. Presented by Visual Music Marathon as part of Boston Cyberarts Festival, US.
Directed by chiaki watanabe
Visuals by chiaki watanabe
Sound by tristan perich & sylvia mincewicz
Medium: Live visual
Year: 2006
Places of production: US
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Chiaki Watanabe is a media artist based in NY. With minimalist and organic aesthetics, she works in multiple forms including video, motion graphics, installation and live video performance. She explores the communicational, the affective, the sensory aspects of audiovisual media. Her fascination lies in integrating the media into various fields such as performance media, architecture, neuroscience, and psychology. Her work investigates relationships between synaesthetia and kineasthesia created through the interaction of kinetic abstract images and related expressions. Her work has been presented internationally in various venues ranging from media art exhibitions and video festivals.
www.vusik.net
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